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Symphony No. 9 in E minor, Op. 95, B178 "From the New World"
https://www.antonin-dvorak.cz/en/work/symphony-no-9/composition history and general characteristics This symphony, Dvořák’s most popular in an international context, was written during the first year of the composer’s tenure in the United States. An ideal set of circumstances had presented...
Symphony No. 7 in D Minor, Op. 70, B141
https://www.antonin-dvorak.cz/en/work/symphony-no-7/general characteristics Dvořák’s seventh symphony in succession, written in D minor, enjoys a special status in the composer’s series of nine symphonies. Its gloomy atmosphere is in direct contrast not only to its two neighbouring symphonies (Nos....
Water Goblin (Vodník), Op. 107, B195
https://www.antonin-dvorak.cz/en/work/tha-water-goblin/composition history The four symphonic poems set to themes from Karel Jaromír Erben’s collection of ballads Bouquet were written in 1896 and herald the final period of the composer’s career. The decision to set this material to music was not a...
Two Irish Songs, B601
https://www.antonin-dvorak.cz/en/work/two-irish-songs-b601/At the end of 1878, at the request of his friend Josef Srb-Debrnov, Dvořák arranged two Irish songs, Dear Connor and The Visit, for male choir. They were first performed in this arrangement in Prague in 1954.
"The Woman Harpist" Polka, B4
https://www.antonin-dvorak.cz/en/work/the-woman-harpist-polka-b4/Young Dvořák apparently wrote this short dance piece, now missing, in 1862 or 1864, during the composer’s visit to Veltrusy. Information about its existence is only given in the period press.
Five Choruses for Male Voices on Lithuanian Folk-Song Texts, Op. 27, B87
https://www.antonin-dvorak.cz/en/work/five-choruses-for-male-voices-on-lithuanian-folk-song-texts-op-27-b87/This cycle of five choruses is set to Lithuanian folk texts translated by František Ladislav Čelakovský and is written for unaccompanied male choir. Dvořák was probably commissioned on this occasion by the Slavonic Choral Society in Vienna. The...
Hussite Overture (Husitská), Op. 67, B132
https://www.antonin-dvorak.cz/en/work/hussite-overture/composition history Dvořák wrote this work in the summer of 1883 at the request of the Committee for the Completion of the Prague National Theatre. The composition was originally intended as a musical introduction to a planned trilogy set in the...
From the Bohemian Forest (Ze Šumavy), Op. 68, B133
https://www.antonin-dvorak.cz/en/work/from-the-bohemian-forest-op68-b133/On the instigation of his publisher Simrock, Dvořák began writing a new cycle of pieces for four-hand piano in September 1883. He decided that it was to consist of characteristic images from Šumava (an extensive mountain range and forest in South...
String Quartet No. 9 in D minor, Op. 34, B75
https://www.antonin-dvorak.cz/en/work/string-quartet-no-9-in-D-minor/composition history Dvořák wrote his String Quartet in D minor in December 1877 within the space of twelve days. In its prevailing wistfulness, the work introduces traces of the evocative mood of his previous composition, the final version of the...
Concerto for Violin and Orchestra in A minor, Op. 53, B108
https://www.antonin-dvorak.cz/en/work/concerto-for-violin-and-orchestra-in-a-minor/general characteristics The Violin Concerto in A minor is considered one of the masterpieces of Dvořák’s so-called Slavic period. It was written in close proximity to his first series of Slavonic Dances, the Czech Suite, the Slavonic Rhapsodies...
Rusalka, Op. 114, B203
https://www.antonin-dvorak.cz/en/work/rusalka/composition history Dvořák began writing his opera Rusalka in the last stage of his career, at a time he was focusing almost exclusively on fairy-tale or mythical themes. His four symphonic poems inspired by the ballads from Erben’s Bouquet were...
Two Songs on Folk Poems, B142
https://www.antonin-dvorak.cz/en/work/two-songs-on-folk-poems-b142/These two short songs originated during Dvořák’s third visit to England, in May 1885, written to the German translation of Czech folk-song texts. The first is a quasi lullaby with two identical verses, in its melodic beauty and fragile sound one...
King and Collier (Král a uhlíř) – 1st setting, B21
https://www.antonin-dvorak.cz/en/work/king-and-collier-1st-setting/composition history Dvořák wrote the first version of his opera King and Collier during the course of 1871, in his thirtieth year. He now had a series of works to his name, but none of them had been performed in public, including his one opera,...
King and Collier (Král a uhlíř) – 2nd setting, Op. 14, B42, B151
https://www.antonin-dvorak.cz/en/work/king-and-collier-2nd-setting/composition history The first setting of the opera King and Collier, which Dvořák assigned to the Provisional Theatre, was already rejected at the rehearsal stage as unworkable. It isn’t entirely clear why Dvořák decided to set the same (weak)...
Antonín Dvořák: Franz Schubert
https://www.antonin-dvorak.cz/en/dvorak-on-schubert/(in collaboration with Henry T. Finck) published in The Century Illustrated Monthly Magazine, New York, 1894 In less than three years, on January 31st, 1897, a century will have elapsed since Franz Schubert was born, and sixty-nine years since he...
New York
https://www.antonin-dvorak.cz/en/life/places/new-york/The two and a half years that Dvořák spent on American soil represent an exceptional chapter in the composer’s professional and private life: his international reputation at that time had reached its zenith, the world repertoire now contained a...
Quotes & Statements
https://www.antonin-dvorak.cz/en/antonin-dvorak-s-statements/excerpt from a letter to Bohumil Fidler, 9. 1. 1886: “Esteemed Sir! I must confess to you in all sincerity that even your cherished letter somewhat took me aback, and this for its extreme flattery and humility; it seemed as if you were...
Nelahozeves
https://www.antonin-dvorak.cz/en/life/places/nelahozeves/Dvořák’s birthplace Nelahozeves (originally Nelahodova ves) is situated approximately 20 kilometres north-west of Prague. The first written records concerning Nelahozeves date from the year 1352, but the site is said to have been occupied from as...
from the memories of Antonin Dvorak
https://www.antonin-dvorak.cz/en/dvorak-on-himself/from-the-memories-of-antonin-dvorak/Antonin Dvorak's recollections of childhood (retold by Vaclav Juda Novotny, translated by Roberta Finlayson Samsour) "Look there at the little village with the long name of Nelahozeves. And there just below the castle of the Prince Lobkowitz, that...
London Sunday Times, 10 May 1885
https://www.antonin-dvorak.cz/en/interviews/interview-for-sunday-times/More than one brief sketch of Antonín Dvorák's life has been written since his first visit to this country a year ago, but in no case have we had a complete history of the events that make up his singular and interesting career. It has been my...
Did you know?
https://www.antonin-dvorak.cz/en/did-you-know/heading towards England
https://www.antonin-dvorak.cz/en/life/biography/heading-towards-england/At the beginning of the 1880s Dvořák’s music found its way to a country traditionally host to all manner of musical geniuses and one of the most important music centres – England. From the time of Händel, the country had cultivated a strong...
Johannes Brahms (1833–1897)
https://www.antonin-dvorak.cz/en/index-of-names/brahms-johannes-1833-1897/German composer, pianist and conductor. The two composers first came into contact when Dvořák was applying for his second state scholarship. At that time the now famous Brahms was one of the committee members who decided on the allocation of the...
Zlonice
https://www.antonin-dvorak.cz/en/life/places/zlonice/The first historical records which mention Zlonice date from the year 1318. By this time the town already had a castle and a Gothic church, on whose site a new Baroque church consecrated to the Assumption of the Virgin Mary was completed in 1735 ...
Vysoká
https://www.antonin-dvorak.cz/en/life/places/vysoka/The village of Vysoká u Příbramě is located approximately 50 kilometres south-west of Prague. It is a place which played a highly significant role in Dvořák’s private and professional life and can without exaggeration be described as his second...
Vysoká
https://www.antonin-dvorak.cz/en/life/biography/vysoka/Together with the recognition he was enjoying in European music circles (in addition to England, Dvořák’s works were also being performed in Vienna, Budapest, Leipzig, Berlin, and elsewhere), things were going extremely well in his private life as...
Hans von Bülow (1830–1894)
https://www.antonin-dvorak.cz/en/index-of-names/bulow-hans-von-1830-1894/One of the most famous conductors of the 19th century, pianist, teacher and composer. He was a keen promoter of Wagner’s operatic works, and also the symphonic oeuvre of Brahms and Tchaikovsky. He played a major role in promoting Dvořák’s music in...
Peter Ilyich Tchaikovsky (1840–1893)
https://www.antonin-dvorak.cz/en/index-of-names/tchaikovsky-peter-ilyich-1840-1893/Russian composer and conductor. Dvořák became acquainted with Tchaikovsky in early 1888 during the latter’s visit to Prague, where he performed twice as a conductor. In honour of the Russian guest the artists’ association Umělecká beseda organised...
Edvard Grieg (1843–1907)
https://www.antonin-dvorak.cz/en/index-of-names/grieg-edvard-1843-1907/Norwegian composer and pianist. He first met Dvořák in 1895 during his visit to Vienna. The taciturn Dvořák didn’t make a great impression on him to begin with, as suggested in a letter Grieg wrote to another Norwegian composer, Iver Holter: “I...
Václav Kounic (1848–1913)
https://www.antonin-dvorak.cz/en/index-of-names/kounic-vaclav-1848-1913/Czech nobleman, politician and patron of the arts, an important figure in Czech patriotic circles during the latter half of the 19th century. He studied law at university in Vienna and Prague and in 1883 was elected a deputy of the State Assembly....
Antonín Rus (1833–1903)
https://www.antonin-dvorak.cz/en/index-of-names/rus-antonin-1833-1903/District court judge in Mirovice, later president of the court in Písek, enthusiastic amateur musician. Dvořák was introduced to Rus in 1884 by the composer’s former classmate from the organ school, Václav Urban. This chance acquaintance gradually...
Prague Museum
https://www.antonin-dvorak.cz/en/todo/December
https://www.antonin-dvorak.cz/en/life/important-dates-in-the-life-of-antonin-dvorak/travels to Vienna to visit Johannes Brahms and to Brno to visit Leoš Janáček
August
https://www.antonin-dvorak.cz/en/life/important-dates-in-the-life-of-antonin-dvorak/visit to the World Fair in Chicago (here he conducts on 12 August during the event “Czech Day”)
15. 2.
https://www.antonin-dvorak.cz/en/life/important-dates-in-the-life-of-antonin-dvorak/Pyotr Ilyich Tchaikovsky is invited to the Dvořáks’ home during his visit to Prague
March
https://www.antonin-dvorak.cz/en/life/important-dates-in-the-life-of-antonin-dvorak/travels to Vienna to visit Brahms who is terminally ill
11. 2.
https://www.antonin-dvorak.cz/en/life/important-dates-in-the-life-of-antonin-dvorak/joint concert in Prague given by Joseph Joachim and Johannes Brahms, both visit the Dvořáks at home (?)
Antonín Dvořák in Photographs: Exhibition
https://www.antonin-dvorak.cz/en/news/You can visit the exhibition Antonín Dvořák in Photographs at the Antonín Dvořák Museum in Prague through the end of April next year. It focuses on portraits of the composer and his family, taken at various stages of his life in different...
Dvořák and England: A New Monograph by David Beveridge
https://www.antonin-dvorak.cz/en/news/The Dvořák Society for Czech and Slovak Music has just published a comprehensive monograph by leading Dvořák scholar and musicologist David R. Beveridge titled Dvořák and England: ‘a man, whose heart sticks to all what is Englisch’. Dvořák’s...