Rhapsody in A minor (Symphonic Poem), Op. 14, B44
Burghauser catalogue number
Date of composition
August 1874 - 12 September 1874
Premiere - date and place
3 November 1904, Prague
Czech Philharmonic Orchestra, conductor Oskar Nedbal
Simrock, 1912, Berlin
1 piccolo, 2 flutes, 2 oboes, 1 English horn, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, 1 tuba, timpani, bass drum, cymbals, triangle, harp, violins, violas, cellos, double basses
approx. 17 min.
Rhapsody in A minor was probably written under the influence of Liszt’s Hungarian Rhapsodies, naturally the difference being that, instead of Hungarian national songs, it was to derive from the folk music of Slav nations. Dvorak planned a whole cycle of similar pieces, but he ultimately only made this one attempt: the piece did not evolve as he had imagined, particularly from a structural point of view, so he abandoned the idea of a complete series. He revived his plan four years later with his Slavonic Rhapsodies Op. 45, this time to great acclaim. The Rhapsody in A minor, which Dvorak also described as a symphonic poem, grows up from two fundamental contrasting themes (a secondary theme is later introduced as well) which undergo various changes of mood. The work is not structured around any generally applied form, but instead comprises several inter-connected sections which gradually become brighter and more vivacious as the music moves towards its triumphant conclusion. The piece was never presented during Dvorak’s lifetime; the premiere took place on 3 November 1904, performed by the Czech Philharmonic conducted by Oskar Nedbal, and it wasn’t until much later, in 1912, that the Rhapsody was finally published by the Berlin firm Simrock.